-
admin
-
Category:
3ème année Sciences Informatique
- arab
فرض تأليفي عدد 1 دراسة نص 3 علوم تجريبية
ﻟﻢ ﺃﻋ ﺪ ﺃﺫﻛﹸﺮ ﺃﻱ ﺣﺪ ﺙ ﺑﺎﻟﺘﹼﺤﺪﻳﺪ ﻛﺎﻥ ﺳﺒ […]
ﻟﻢ ﺃﻋ ﺪ ﺃﺫﻛﹸﺮ ﺃﻱ ﺣﺪ ﺙ ﺑﺎﻟﺘﹼﺤﺪﻳﺪ ﻛﺎﻥ ﺳﺒ ﺒﺎ ﻻﻧﻬﻴﺎﺭﹺﻱ …ﻻ ﺷﻲﺀَ ﻛﺎﻥ ﻳ ﻐﺮﻳﻨﹺﻲ ﻭ ﻻ
ﺃﺣ ﺪ ﻛﺎﻧﺖﹾ ﺗﹶﻌﻨﹺﻴﻪ ﺣﻴﺎﺗ ﻲ . ﺃﹸﻣ ﻲ ﻛﺎﻧﺖ ﻣﺸﻐﻮﻟﺔﹰ ﻋﻨﹼﻲ ﺑﹺﺤ ﺠ ﺘ ﻬﺎ ، ﺯﻭﺟﻲ ﻣﺸﻐﻮﻝﹲ ﻋﻨﱢﻲ ﺑﻤﺴﺆﻭﻟ ﻴﺎﺗ ﻪ ،
ﻭ ﺃﺧ ﻲ ﺑﻨﻀﺎﻟ ﻪ ﻭﻗﻀﻴ ﺘ ﻪ ، ﻭ ﺍﻟﺒﻠﹶﺪ ﺑﻤ ﻮﺍﺟ ﻬﺎﺗ ﻪ … [ﻭﻋﻨﺪ ﻣﺎ ﺃﺭﺩﺕﹸ ﺃﻥ ﺃﺟﹺﺪ ﻟ ﻨﻔﺴ ﻲ ﺣﻼ ﻓﻲ ﺍﻟﻜﺘﺎﺑﺔ
ﺃﻃﻠﹶﻘﹸﻮﺍ ﺍﻟﺮ ﺻﺎﺹﹶ ﻋﻠﻰ ﺃﻭﻫﺎﻣ ﻲ ]… ﻫﺬﻩ ﻣﺪﻳﻨﹶﺔﹲ ﻻ ﺗﻜﺘﻔ ﻲ ﺑﻘﺘﻠ ﻚ ﻳﻮﻣﺎ ﺑﻌﺪ ﻳﻮﻡﹴ ﺑﻞ ﺗﻘﺘﹸﻞﹸ ﺃﻳﻀﹰﺎ
ﺃﺣﻼﻣ ﻚ … ﻭ ﺗﺒﻌﺚﹸ ﺑﻚ ﺇﻟﻰ ﻣ ﹾﺨ ﹶﻔﺮ ﻟ ﺘﹸﺪﻟ ﻲ ﺑﺸﻬﺎﺩ ﺗ ﻚ ﻓﻲ ﺟﺮﻳﻤﺔ ﺃﻭﺻﻠﺘﹾﻚ ﺇﻟﻴﻬﺎ ﺍﻟﻜ ﺘﺎﺑﺔ.
ﻟﻘﺪ ﻗﻠﺖﹸ ﻣﻨﺬ ﺍﻟﺒﺪﺀِ : ﻟ ﺘﺒﺤ ﺜﻲ ﻋﻦ ﻣﻨﺎﺳﺒﺔ ﺗﻤﻨﹶﺤ ﻨ ﻚ ﻓﻴﻬﺎ ﺍﻟﺤﻴﺎﺓﹸ ﻓﹸﺮﺿﹶﺔﹶ ﺍﻟﺬﹼﻫﺎﺏﹺ ﺑﺠ ﻨﹸﻮﻧﹺ ﻚ ﻋ ﻜﺲ
ﺍﻟﻤ ﻨﻄ ﻖ ، ﻭ ﺗﹸﻬﺪ ﻯ ﺇﻟﹶﻲ ﺇﻣﻜﺎﻧﻴ ﺔﹰ ﻓﺮﻳﺪﺓﹰ ﻷﻥ ﺃﹸﺟ ﺮ ﺏ ﻓﻲ ﺍﻟﺤﻴﺎﺓ ﺑﻌﺾﹶ ﺍﻟﻤﺸﺎﻫﺪ ﺍﻟﹼﺘﻲ ﺗﻤﻨﱠﻴﺖﹸ
ﺑﺠ ﻨﻮﻥ ﺍﻟﻜﺘﺎﺑﺔ ﺃﻥ ﺃﻋﻴﺸﹶﻬﺎ … ﻟ ﻤ ﺘﻌ ﺔ ﻛﺘﺎﺑ ﺘ ﻬﺎ ﺑﻌﺪ ﺫﻟﻚ. ﻟﻘﺪ ﻛﻨﺖﹸ ﺍﻣﺮﺃﺓﹰ ﺑﻄﻠﹶﺔﹰ ﻷﻧﹼﻲ ﻛﻨﺖﹸ ﺃﺗﺤﺪ ﻯ
ﺍﻟﻘﺘﹶﻠﺔ …ﺷﺎﻫﺮﺓﹰ ﺍﻟﺘﱡﻬﻤ ﺘﻴ ﻦ ﺍﻟﻠﹼﺘﻴﻦ ﺟﻤﻌﺘﹸﻬﻤﺎ : ﺗﻬﻤﺔ ﺍﻷﻧﻮﺛﺔ ﻭ ﺗﻬﻤﺔ ﺍﻟﻜﺘﺎﺑﺔ ، ﺗﻠﻚ ﺍﻟﹼﺘﻲ ﻛﺎﻧﺖﹾ ﺗﺤ ﺪ ﻳ ﺎ
ﺻﺎﻣﹰﺘﺎ ﻓﻲ ﻳﺪﻱ ، ﻭ ﺩﻓﺘﺮ ﺍ ﻣ ﻐﹶﻠﱠﻔﺎ ﻋﻠﻰ ﻗﺼﱠﺔ ، ﺍﻟﻜﺘﺎﺑﺔﹸ ﻓﻴﻬﺎ ﻫﻲ ﺍﻟﺒﻄﻞﹸ ﺍﻟﺮ ﺋﻴﺴﻲ .
ﺃﺣﻼﻡ ﻣﺴﺘﻐﺎﻧﻤﻲ / ﻓﻮﺿﻰ ﺍﻟﺤﻮﺍﺱ ، ﺹ 207
ﺍﻷﺳﺌـــــﻠﺔ :
ﺍﻟﻔﻬــــﻢ :
1 ـ ﻗﺴ ﻢ ﺍﻟﻨﺺﱠ ﻭﻓﻖ ﻣﻌﻴﺎﺭ ﺗﺨﺘﺎﺭ ﻩ / 1 : ﻥ
………………………………………………………………………………………………………………………………………………………………..
………………………………………………………………………………………………………………………………………………………………..
………………………………………. ……………………………………………………………………………………………………………………….
………………………………………………………………………………………………………… ……………………………………………………..
2 ـ ﻫﻞ ﻋﻮﺍﺋﻖ ﺍﻻﺑﺪﺍﻉ ﻋﻨﺪ ﺍﻟﻤﺮﺃﺓ ﺗﻌﻮﺩ ﺇﻟﻰ ﺍﻟﺴ ﻴﺎﻕ ﺍﻟﺜﹼﻘﺎﻓﻲ ﺍﻟﻌﺎﻡ ﺃﻡ ﺇﻟﻰ ﺍﻟﻤﺮﺃﺓ ﻧﻔﺴ ﻬﺎ؟ ﺗﺒﻴ ﻦ
ﺫﻟﻚ ﻣﻦ ﺧﻼﻝ ﺍﻟﻨﺺﹼ / 2 . ﻥ
………………………………………………………………………………………………………………………………………………………………..
………………………………………………………………………………………………………………………………………………………………..
…… …………………………………………………………………………………………………………………………………………………………..
ﻣﻌﻬﺪ ﻗﺮﻣﺒﺎﻟﻴﺔ 2012/2011 [ ﺍﻟﻔﺮﺽ ﺍﻟﺘّﺄﻟﻴﻔﻲ / ﺩﺭﺍﺳﺔ ﻧ ّﺺ 3 / ﻋﻠﻮﻡ ﺗﺠﺮﻳﺒﻴّﺔ
ﺍﻷﺳﺘﺎﺫ: ﻣﺤﺮﺯ ﺛﺎﺑﺖ ]
…………………………………………………………………….. …………………………………………………………………………………………
………………………………………………………………………………………………………………………………………. ……………………….
3 ـ ﻣﺎﺫﺍ ﺗﻌﻨﻲ ﺍﻟﻜﺎﺗﺒﺔ ﺑﻘﻮﻟﻬﺎ ” ﻫﺬﻩ ﻣﺪﻳﻨﺔﹲ ﻻ ﺗﻜﺘﻔﻲ ﺑﻘﺘﻠ ﻚ ﻳﻮﻣﺎ ﺑﻌﺪ ﻳﻮﻡ ﺑﻞ ﺗﻘﺘﹸﻞﹸ ﺃﻳ ﹰﻀﺎ
ﺃﺣﻼﻣﻚ ” ؟ / 2 ﻥ
………………………………………………………………………………………………………………………………………………………………..
………………………………………………………………………………………………………………………………………………………………..
…………….. …………………………………………………………………………………………………………………………………………………
………………………………………………………………………………. ……………………………………………………………………………….
4 ـ ﺑﻤﺎﺫﺍ ﺗﹸﻔﺴ ﺮ ﺑﻨﺎﺀ ﺍﻟﻨﺺﹼ ﻋﻠﻰ ﺍﻷﺳﻠﻮﺏ ﺍﻟﺨﺒﺮﻱ ؟ / 1 ﻥ
………………………………………………………………………………………………………………………………………………………………..
………………………………………………………………………………………………………………………………………………………………..
………………………………………………………………………………………. ……………………………………………………………………….
ﺍﻟﻠّﻐـــﺔ ﻭﺍﻟﺘّﺼﺮّﻑ ﻓﻲ ﺍﻟﻨ ّ ﺺ :
1 ـ ﺣﺪ ﺩ ﻧﻮﻉ ﺣﺮﻑ ﺍﻟﻼﹼﻡ ﻓﻲ ﺍﻟﻤﺜﺎﻟﻴﻦ ﺍﻟﹼﺘﺎﻟﻴﻴﻦ ﻭ ﻋﻤﻠﻬﺎ ﺍﻟﻠﹼﻐﻮﻱ / 1 : ﻥ
ــ ﻟﺘﹶﺒﺤﺜﻲ ﻋﻦ ﻣﻨﺎﺳﺒﺔ / ﻧﻮﻋﻬﺎ ……………………………………….. / ﻋﻤﻠﹸﻬﺎ ﺍﻟﻠﹼﻐﻮﻱ / ……………………………..
ــ ﻷﻧﹼﻲ ﻛﻨﺖﹸ ﺃﺗﺤﺪ ﻯ /
………………………………………. /
/ ……………………………..
2 ـ ﺣﺪ ﺩ ﻭﻇﻴﻔﹶﺔ ﻣﺎ ﺗﺤﺘﻪ ﺳﻄﺮ ﻭ ﺷﻜﻠﻪ ﺍﻟﻨﹼﺤﻮﻱ / 2 . ﻥ
ﺍﻟﻜﺘﺎﺑﺔﹸ : ﺍﻟﻮﻇﻴﻔﺔ / ………………………………………… ﺍﻟﺸﻜﻞ ﺍﻟﻨﹼﺤﻮﻱ / …………………………………………………….
ﺍﻟﻠﹼﺘﻴﻦ ﺟﻤﻌﺘﹸﻬﻤﺎ : ﺍﻟﻮﻇﻴﻔﺔ / ………………………………… ﺍﻟﺸﹼﻜﻞ ﺍﻟﻨﺤﻮﻱ/ ………………………………………………..
3 ـ ﺃﺳﻨﺪ ﺍﻷﻓﻌﺎﻝ ﻓﻲ ﺍﻟﺠﻤﻠﺔ ﺍﻟﺘﺎﻟﻴﺔ ﺇﻟﻰ ﺿﻤﻴﺮ ﺍﻟﻐﺎﺋﺐ ﺍﻟﻤﺜﻨﹼﻰ ﺍﻟﻤﺆﻧﹼﺚ ﻣﻐﻴ ﺮﺍ ﻣﺎ ﻳﺠﺐ / 1 . ﻥ
ﻭﻋﻨﺪ ﻣﺎ ﺃﺭﺩﺕﹸ ﺃﻥ ﺃﺟﹺﺪ ﻟ ﻨﻔﺴ ﻲ ﺣﻼ ﻓﻲ ﺍﻟﻜﺘﺎﺑﺔ ﺃﻃﻠﹶﻘﹸﻮﺍ ﺍﻟﺮ ﺻﺎﺹﹶ ﻋﻠﻰ ﺃﻭﻫﺎﻣ ﻲ.
…………………………………………………………………………………………………………………………………………….. …………………
ﺍﻟﺘّﻌﺒﻴﺮ ﻋﻦ ﺍﻟﺮّﺃﻱ:
ﻫﻞ ﺗﻮﺍﻓ ﻖ ﺍﻋﺘﺒﺎﺭ ﺍﻟﻜﺎﺗﺒﺔ ﺍﻟﻜﺘﺎﺑﺔﹶ ﺗﹸﻬﻤ ﺔﹰ ؟ ﻟﻤﺎﺫﺍ ؟ / 3 ﻥ
………………………………………………………………………………………………………………………………………………………………..
………………………………………………………………………………………………………………………………………………………………..
………………………………………………………………………………………………………………………………………………………………..
………………………………………………………………………………………………………………………………………………………………..
……………………………………………………………………………………………………………………………………………………….. ………
ﻣﻌﻬﺪ ﻗﺮﻣﺒﺎﻟﻴﺔ 2012/2011 [ ﺍﻟﻔﺮﺽ ﺍﻟﺘّﺄﻟﻴﻔﻲ / ﺩﺭﺍﺳﺔ ﻧ ّﺺ 3 / ﻋﻠﻮﻡ ﺗﺠﺮﻳﺒﻴّﺔ
ﺍﻷﺳﺘﺎﺫ: ﻣﺤﺮﺯ ﺛﺎﺑﺖ ]
ﺍﻻﻧﺘﺎﺝ ﺍﻟﻜﺘﺎﺑﻲ :
/ 7 ﻥ
ﺇﻥ ﺍﻟﻜﺘﺎﺑﺔﹶ ﻟﺪﻯ ﺍﻟﻤﺮﺃﺓ ﻓﻲ ﺍﻟﻤﺠﺘﻤﻊ ﺍﻟﻌﺮﺑﻲ ﻫﻲ ﺍﻧﺘﺼﺎﺭ ﻋﻠﻰ ﺍﻟﻘﻬﺮ ﻭ ﻛﺴﺮ ﻟﻠﻘﻴﺪ .
ﺗﻮﺳ ﻊ ﻓﻲ ﺗﺤﻠﻴﻞ ﻫﺬﺍ ﺍﻟﺮ ﺃﻱ .
………………………………………………………………………………………………………………………………………………………………..
………………………………………………………………………………………………………………………………………………………………..
……………………….. ………………………………………………………………………………………………………………………………………
………………………………………………………………………………………………………………………………………………………………..
………………………………………………………………………………………………………………………………………………………………..
………………………………………………………………………………………………………………………………………………………………..
…………………………………………………………… …………………………………………………………………………………………………..
………………………………………………………………………………………………………………………………………………………………..
………………………………………………………………………………………………………………………………………………………………..
………………………………………………………………………………………………………………………………………………………………..
………………………………………………………………………………………………………………………………………………………………..
………………………………………………………………………………………………………………………………………………………………..
………………………………………………………………………………………………………………………………………………………………..
………………………………………………………………… ……………………………………………………………………………………………..
………………………………………………………………………………………………………………………………………………………………..
…………………………………………………………………………………………………………….. …………………………………………………
………………………………………………………………………………………………………………………………………………………………..
………………………………………………………………………………………………………………………………………………………………..
………………………………………………………………………………………………………………………………………………………………..